Capacitors
Audyn KPQS/8.2/630 | 8.2 µF | 5% | 630 V | QS6 Capacitor
ClarityCap MR | 1.80 µF | 3% | 400 V
Mundorf MCAP400-10 | 10 µF | 3% | 400 V | Mcap Classic Capacitor
ClarityCap MR | 2.70 µF | 3% | 400 V
Dayton Audio DMPC-40 | 40 µF | 5% | 250 V | Polypropylene Capacitor
ClarityCap PUR5u1H250Vdc | 5.10 µF | 3% | 250 V
Audyn KPQS/6.8/630 | 6.8 µF | 5% | 630 V | QS6 Capacitor
ClarityCap PUR6u8H250Vdc | 6.80 µF | 3% | 250 V
Dayton Audio DMPC-100 | 100 µF | 5% | 250 V | Polypropylene Capacitor
Audyn PLUS/0.82/08 | 0.82 µF | 2% | 800 V
Jantzen Audio 001-0670 | 6.80 µF | 2% | 800 V | Silver Z-Cap Capacitor
Jantzen Audio 001-7022 | 1.00 µF | 3% | 100 V | Alumen Z-Cap Capacitor
Jantzen Audio 001-0449 | 15 µF | 5% | 400 V | Standard Z-Cap Capacitor
Read more: Capacitors
The capacitor is the heart of the high-pass filter: it shields the tweeter from low frequencies and smooths impedance in Zobel and notch networks. The part sitting in a tweeter's signal path passes every note, so both type and quality are audible.
Film capacitors (MKP, MKT, paper-in-oil, copper foil) belong in the signal path, bipolar electrolytics suit high-value bass sections, and power capacitors go into supplies. For crossovers, choose at least a 100 V rating and a tolerance of 5% or better.























