Resistors
Jantzen Audio 002-0142 | 0.75 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-0139 | 0.68 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-0136 | 0.62 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-0133 | 0.56 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-0130 | 0.51 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-0127 | 0.47 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-012639 | 0.39 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-0126 | 0.33 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-012510027 | 0.27 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-012510022 | 0.22 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-012510018 | 0.18 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-012510015 | 0.15 Ω | 10 W | 1% | Superes Resistor
Jantzen Audio 002-012510010 | 0.10 Ω | 10 W | 1% | Superes Resistor
Read more: Resistors
Driver sensitivities rarely match: a tweeter is often 3–6 dB louder than the mid-woofer it is paired with. An L-pad built from resistors attenuates that difference, while a Zobel network uses them to compensate for the rising impedance of a voice coil.
Wirewound resistors are affordable and robust but carry a little inductance; metal film and graphite types are non-inductive and therefore preferred in the treble path. Size the power rating generously: resistors below 10 W rarely belong in a passive crossover.























